tag:blogger.com,1999:blog-71134004692918614402024-02-19T15:32:49.192+11:00my textile filemaehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.comBlogger63125tag:blogger.com,1999:blog-7113400469291861440.post-84377218393008287822014-06-12T10:01:00.001+10:002014-06-12T10:01:58.484+10:00ana teresa barboza<div class="separator" style="clear: both; text-align: center;">
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<a href="http://anateresabarboza.blogspot.com.au/" target="_blank">http://anateresabarboza.blogspot.com.au/</a>
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<span style="color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">MODOS DE VESTIR</span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Modos de Vestir, primera individual de la artista Ana Teresa Barboza, presenta obras en escultura, fotografía, dibujos bordados, así como híbridas prendas de vestir que indagan en las distintas posibilidades del vestido como elemento de socialización y que, en conjunto, funcionan como una alegoría del propio cuerpo. </span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">La artista recurre al vestido como una figura capaz de revelar actitudes para con el entorno inmediato, y recurre también a la configuración de vínculos intersubjetivos. En este sentido, las prendas facilitan la visibilización de conductas y dinámicas comunes en las relaciones afectivas —especialmente las de pareja— que escenifican vínculos de apego y dependencia. Barboza se aleja así de la línea estrictamente autoreferencial de su trabajo previo, en el que su cuerpo se presentaba seccionado, herido, hurgado y delicadamente recompuesto a través de la costura y el bordado. En Modos de Vestir el ropaje no se entiende más como un sustituto figurado de la piel, como el otrora tejido limítrofe, campo de conflicto y negociación de un cuerpo que mira hacia el interior. En esta primera individual, el ropaje se entiende como metáfora de modos relacionales: el cuerpo vira la mirada hacia su entorno y analiza la calidad de los vínculos que lo unen a otros.</span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">En esta ocasión el bordado se distancia de la aplicación de patrones decorativos y se torna en herramienta narrativa. A través de viñetas en fino hilván y de aplicaciones sobre fotografías transferidas en tela, el bordado asume las formas del dibujo y la pintura. Esta narrativa resulta evidente en el primer grupo de dibujos bordados en el que la artista nos presenta una serie de instrucciones a seguir (o precauciones a tomar) en formato de diario. Mientras nos introduce, paso a paso, en el proceso de construcción de una prenda, Barboza establece el primer paralelo entre las relaciones afectivas y las prendas de vestir: ambas se encuentran atadas, cosidas por hilos a veces invisibles y, además, su proceso de confección puede resultar doloroso. </span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Por otro lado, un segundo conjunto de prendas diseñadas y elaboradas por la artista semejan estructuras blandas y móviles que configuran ‘espacios’ para ser habitados por dos cuerpos. Las “prendas-para-dos” se establecen entonces como instrumentos relacionales con el potencial de facilitar un tipo de encuentro condicionado, pero a la vez como una barrera que impone una postura y una interacción que, a su vez, limita la posibilidad de movimiento individual: estos vestidos existen solo cuando hay cuerpos que los sostengan y los activen; sin ellos sus superficies inertes se tornan en pura oquedad. </span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Finalmente, un tercer grupo nos confronta con una figura un tanto distinta. El elemento central lo constituye una delicada pieza escultórica en resina. La obra —un híbrido entre mesa, mantel y mandil— alude a lugares comunes en nuestras construcciones sociales de género. Más allá de la asociación primera y evidente del cuerpo femenino (ausente) y de lo doméstico; la mesa-mandil apunta también a una actitud de servicio para con los demás. Esta actitud se revela una vez más como una atadura, una condición que estanca cual pesado lastre. El acabado aporcelanado provee a la mesa-mandil de un particular refinamiento y aparente ligereza. Esta, sin embargo, no es más que una apariencia frágil. La pieza, en realidad, es engañosamente maciza. La feminidad no es más que un cúmulo de signos arbitrariamente asignados de los que Barboza se apropia con sutil ironía.</span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Modos de Vestir abre el imaginario de Ana Teresa Barboza, poniendo énfasis en distintas modalidades del vestir. En efecto, uno puede vestir una mesa, un cuerpo, o incluso vestir las palabras; las distintas modalidades del vestido articuladas aquí operan sin embargo en clave alegórica. Quizás uno podría pensar en Modos de vestir como un ensayo de las distintas posibilidades del vestido como lenguaje, o acaso como elemento determinante en la configuración de un lenguaje corporal; pero sobre todo, las piezas constituyen un léxico privado, íntimo, que Barboza comparte con nosotros en un tono casi confesional. </span></div>
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<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Sharon Lerner</span></div>
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maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-60063114547765259532011-03-13T01:29:00.002+11:002011-03-13T01:43:02.689+11:00Dana Carlson<a href="http://www.danacarlson.com/2007/page1.html">http://www.danacarlson.com</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-5_C9s473ENFAcEUQP9sRZzzTICeDA0Z4pbtFXwylLYzb7QgGSYR2QZjMY7EhrLW_LUWxmH1U3joxxvNxjyRafSZO3anJ0LizYRheq2ySMxTOEMyIQF1A6pQrY4T0wsm2fCkyfeYAZRU/s1600/night_shrine.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 340px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-5_C9s473ENFAcEUQP9sRZzzTICeDA0Z4pbtFXwylLYzb7QgGSYR2QZjMY7EhrLW_LUWxmH1U3joxxvNxjyRafSZO3anJ0LizYRheq2ySMxTOEMyIQF1A6pQrY4T0wsm2fCkyfeYAZRU/s400/night_shrine.jpg" alt="" id="BLOGGER_PHOTO_ID_5583201766676267794" border="0" /></a><br />Night Shrine<br />44 × 38 inches<br />embroidery, applique, beadwork and paint<br />2008<br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNY3FTzRx_ubRP5xRD7r6cpyuHE4BESYweD3Q1SmbuUSpcZ2L3ZFieHNpnQwzuNJHwaHr473nwyvbODn7igUVROG7CKa48J5UvZ7Cj9670Ax2YJEO1aL8WijUMLRV8tUH6zOHiHRU5os0/s1600/maroon_grazing.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 378px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNY3FTzRx_ubRP5xRD7r6cpyuHE4BESYweD3Q1SmbuUSpcZ2L3ZFieHNpnQwzuNJHwaHr473nwyvbODn7igUVROG7CKa48J5UvZ7Cj9670Ax2YJEO1aL8WijUMLRV8tUH6zOHiHRU5os0/s400/maroon_grazing.jpg" alt="" id="BLOGGER_PHOTO_ID_5583201761905054178" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDZbzmAkA5AIzTWkC9r9cmVAi6o4_x99HWg1D5_DkgXZmNTle52GZmccZt9zRvZ8CtuiEwcVm7JKpgou82jlKthObwfoFs7KCe1tbYd-IQqbyXbstpsOUrr923jjD5OhOgQA23jyG9KI/s1600/brocade_vacation.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 375px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDZbzmAkA5AIzTWkC9r9cmVAi6o4_x99HWg1D5_DkgXZmNTle52GZmccZt9zRvZ8CtuiEwcVm7JKpgou82jlKthObwfoFs7KCe1tbYd-IQqbyXbstpsOUrr923jjD5OhOgQA23jyG9KI/s400/brocade_vacation.jpg" alt="" id="BLOGGER_PHOTO_ID_5583201754443902786" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KmgyE545B3DDJIPW1e_rruU08q606DcPaRxCgQlxwsAC-2D4WdQb2e7Crp2HEtQpHx7GhkM0IKp1he7Z5I96o_rpOsW6y_NWtxrc73kb0gLYF1qIh1TCX5WAwzmBXGuFfptZbBNxyx4/s1600/cat_checkered_bouquet.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 332px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KmgyE545B3DDJIPW1e_rruU08q606DcPaRxCgQlxwsAC-2D4WdQb2e7Crp2HEtQpHx7GhkM0IKp1he7Z5I96o_rpOsW6y_NWtxrc73kb0gLYF1qIh1TCX5WAwzmBXGuFfptZbBNxyx4/s400/cat_checkered_bouquet.jpg" alt="" id="BLOGGER_PHOTO_ID_5583201753055941506" border="0" /></a><br /><p>What appeals to me is basically just mark-making - the accumulation of marks and what they add up to when they are abutted and stacked up on top of eachother. My work gives me an opportunity to put all these marks together - to combine imagery, symbols, landscape, still-life, portraiture, literal marks that read only as marks, gestural marks (on a continuum from painterly 'fine-art' marks to <i>dorkus majoris</i> marks), pattern & decorative marks, + the whole material quest. It's a lot. They all get to be players in the pictorial vs. abstract painting battle that remains un-won.</p> <p>Starting a new work is like embarking on an adventure of sorts. It's the lamest statement - totally cliche, I know - but it's true. Sorry. How well the plan is laid out varies but discovery is the thing. And beauty - a dubious term but my quest is not to make something "good" or even "considered" but to find the beauty that comes from the moment when all the pieces are balancing just right. Directness is key. Less mediation, less art, more thing and process. Process feels more honest. Absurdity is always welcome. Really what I'm looking for are new combinations, combinations that register on the feeling vs. semantic vs. form axis.</p> <p>I think about how much good-looking, cool advertising and fashion there is out there - not to mention contemporary art. Our eyes get really trained to look in a set mode and so for me - I am trying to figure out how to escape that a little. That's probably impossible. Thrift store paintings start looking amazing - bad decisions can be great decisions - that kind of thing. It's not to be clever or ironic it's to find some other way. And yes, this strategy is yet another that's been around. Who knows. Ideally I want to make paintings in ways that I don't already know so much. That's my plan.</p> <p class="pink">2002 - (but still applies)</p> <p>I fashion myself as a Romantic artist for the 21st century - with some major hang-ups. By combining Abstract Expressionism's gestural risk taking with an ambition for the grace, beauty, and swooning elegance of Titian and Tiepolo, my work presents a lyrical, delightful, rock-n-roll dream landscape populated by birds, guitars, furniture, and pattern. This Romantic, almost surreal world of love and beauty is countered by a self conscious anxiety present in my mark-making and conflicting painting languages. The result is an absurd compromise of my inner, fantasy world with a nagging obligation to address my personal angst, however embarrassing. I liken it to listening to the Velvet Underground as a teenager driving your parents' car in the suburbs. Driving in that car you can be anything; your life feels full of possiblities and the world itself is utterly cool, but you still have to come home to eat your dinner and clean your room.</p>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-51949701137848627242011-03-04T00:46:00.004+11:002011-03-13T01:45:01.803+11:00Dawn Tan<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcMVHzp16cKR7J4EYcPydCnbJjRAuZYpir7IOlQHTk6j9MRV27wnx3sdKULAPocjuqnZZhAiDL8wtJ8aIyGgvh33tlfjHzF-Ux418STiCo2MTaXR6VESy6PrUOsaBi4s6bHaTUNkW8YMI/s1600/29_3.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 270px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcMVHzp16cKR7J4EYcPydCnbJjRAuZYpir7IOlQHTk6j9MRV27wnx3sdKULAPocjuqnZZhAiDL8wtJ8aIyGgvh33tlfjHzF-Ux418STiCo2MTaXR6VESy6PrUOsaBi4s6bHaTUNkW8YMI/s400/29_3.jpg" alt="" id="BLOGGER_PHOTO_ID_5579852285981945522" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNoGMZl2LQqUGXYKx_uUzDCTIRr1wRe6_xjnLdcswa0C7lxhM-LXnG531evOGY5WK43EqlSz5G-bvVmRboO72fko4hTliI8OyMUDCu4I_zCvZ7Hg9vo1QXI6h_EW-IGlltWHbDQo0-PSY/s1600/29_1.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 270px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNoGMZl2LQqUGXYKx_uUzDCTIRr1wRe6_xjnLdcswa0C7lxhM-LXnG531evOGY5WK43EqlSz5G-bvVmRboO72fko4hTliI8OyMUDCu4I_zCvZ7Hg9vo1QXI6h_EW-IGlltWHbDQo0-PSY/s400/29_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5579852284255960002" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJZ7ft9nAK9H1TuJ55YD0gm-a-QSC1sLBdrJjMsDNoutbRMLpWRDE40ClaHTusk2-kuW_Mvc903brGrN7vn0GdmUcGkziJUfQ3CKTAhDvc5n9HoLPR5ftGZ9guz7axXmTvPGdyt8sM5TI/s1600/24_parmesn.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJZ7ft9nAK9H1TuJ55YD0gm-a-QSC1sLBdrJjMsDNoutbRMLpWRDE40ClaHTusk2-kuW_Mvc903brGrN7vn0GdmUcGkziJUfQ3CKTAhDvc5n9HoLPR5ftGZ9guz7axXmTvPGdyt8sM5TI/s400/24_parmesn.jpg" alt="" id="BLOGGER_PHOTO_ID_5579852278750483794" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ8dsaIK4A4_fIW77CBVKM6G2ZmR6aZemT0pljyjY-7B9HKgwzZP0J5P3VLbvH2SwCwdhNTAvzXjYT6WkL0o7_UYJjPuua1N2Etl5fWX7suT0w5StCr9dug9-e1W6ypqzOEMN87U5ixzw/s1600/24_3333.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 271px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ8dsaIK4A4_fIW77CBVKM6G2ZmR6aZemT0pljyjY-7B9HKgwzZP0J5P3VLbvH2SwCwdhNTAvzXjYT6WkL0o7_UYJjPuua1N2Etl5fWX7suT0w5StCr9dug9-e1W6ypqzOEMN87U5ixzw/s400/24_3333.jpg" alt="" id="BLOGGER_PHOTO_ID_5579852275708751586" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeZ5Y3iivregXEZXbHCV2t-Je9uSpw96fdbZ5GEVVfvjNBhM_LN4ECvCsWlw0-upC9Vj1LC8V67jdM2bqqMLju_mtcqRYK05GwXt8NQDRXnua-QccNSKVDZxo97NYmd9kn0WSBumhGJ0/s1600/9_2.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeZ5Y3iivregXEZXbHCV2t-Je9uSpw96fdbZ5GEVVfvjNBhM_LN4ECvCsWlw0-upC9Vj1LC8V67jdM2bqqMLju_mtcqRYK05GwXt8NQDRXnua-QccNSKVDZxo97NYmd9kn0WSBumhGJ0/s400/9_2.jpg" alt="" id="BLOGGER_PHOTO_ID_5579852269340639314" border="0" /></a><span class="Apple-style-span" style="line-height: 14px;font-family:Arial,sans-serif;font-size:12px;" ><p style="margin: 0px; padding: 0px 0px 12px; width: 250px;">Hi! I'm Dawn. I live in Melbourne. I spend a lot of my time eating and cooking. I love food so much, it makes me make art out of it.</p><p style="margin: 0px; padding: 0px 0px 12px; width: 250px;">I create drawings and soft sculptures out of fabrics, choosing packaging I'm drawn to. But ultimately, the reason for creating food related art, comes from my intrigue with how packaged food is taking over natural, organic food. The idea of consumption becoming obsessive, how traditional made-from-scratch meals are now replaced often by instant colourful packaged food, serves as a basis for much of the work I create</p></span>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com1tag:blogger.com,1999:blog-7113400469291861440.post-89592355121751863832011-03-02T20:21:00.004+11:002011-03-02T20:25:05.716+11:00Abigail Reynolds<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxOceM0wozwirRa30Tq1M-HqnwsahUlVUM429ihKFlCrK76qFcwDKCMG3V8w3BiFZ5d6IPYSRpAIWaMXL3DvX8ZVDl1AW1-VSMBTG4CuoKe2m7_4WmTLwr8dRxXFo1sWRLpoirIcnGQIA/s1600/nets.gif"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 249px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxOceM0wozwirRa30Tq1M-HqnwsahUlVUM429ihKFlCrK76qFcwDKCMG3V8w3BiFZ5d6IPYSRpAIWaMXL3DvX8ZVDl1AW1-VSMBTG4CuoKe2m7_4WmTLwr8dRxXFo1sWRLpoirIcnGQIA/s400/nets.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5579410874032483410" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAkiUd28R3kBr8wBZyM9CgbQgHC8oqKgPMvnITRzpVYD2NCCqZDv7ZOsjhE3yS3XMv4G2ypr4NZGANPEqNeQXnvTUp6H0bAoipVflY-R39yL33GHGCGWdLy7e2EPIMJaFPN5U9shqh5tI/s1600/Mutator_Gimpel.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 288px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAkiUd28R3kBr8wBZyM9CgbQgHC8oqKgPMvnITRzpVYD2NCCqZDv7ZOsjhE3yS3XMv4G2ypr4NZGANPEqNeQXnvTUp6H0bAoipVflY-R39yL33GHGCGWdLy7e2EPIMJaFPN5U9shqh5tI/s400/Mutator_Gimpel.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5579410873039138114" /></a><br /><div><br /></div><div><div><span class="Apple-style-span" style=" color: rgb(51, 51, 51); font-family:Verdana, Arial, Helvetica, sans-serif;font-size:small;"><em><a href="http://www.abigailreynolds.com/Dict/toxic1.html">Toxicity test</a></em> is an increasingly disrupted crochet sequence.</span></div><table width="1143" border="0" cellpadding="0" cellspacing="0" style=" ;font-family:Times;font-size:medium;"><tbody><tr><td colspan="4" valign="top"><p><span style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:85%;color:#333333;">Starting with a basic pattern for a string bag, each sucessive round of the Grand Mutator adds a level of deviation from the starting patten. This progressive mutation relates to Darwinian evolution where forms are considered to change due to mistakes in coding over time.</span></p><p><span style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:85%;color:#333333;">Another reference for this work are the toxicity tests performed on spiders in the 1960's to determine the levels of toxicity of recreational drugs. (above)</span></p><p><span style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:85%;color:#333333;"><a href="http://www.abigailreynolds.com/index.html">http://www.abigailreynolds.com/index.htm</a>l</span></p></td></tr></tbody></table></div>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-53346654535522297982011-02-16T16:06:00.003+11:002011-02-16T16:20:46.378+11:00Rachel Denny<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfByuVh71cMgaSVoVqwxu0isLJAkR5yI77KHipZ0-ucpUqB1Ij0rz4_PhSHmg09USBvCRQ9bm00oAtz-lCUKWtjgyz9FgHeME_X30JCNN03sswIXTsV8DScBP6_SkBTFtPOLYDwbIEfA/s1600/WinterTrophy_Denny.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 244px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfByuVh71cMgaSVoVqwxu0isLJAkR5yI77KHipZ0-ucpUqB1Ij0rz4_PhSHmg09USBvCRQ9bm00oAtz-lCUKWtjgyz9FgHeME_X30JCNN03sswIXTsV8DScBP6_SkBTFtPOLYDwbIEfA/s400/WinterTrophy_Denny.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5574151351827845202" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeEihuEWwL0Z7Y6XwtGOPlWToDb4WMiHDX4YxLTvu_POhZr8dp1l0mSEgUnleNmOHuTbizFKAGgyqk1RX4r0J4WtCYu-POZ3cbWWvkAdw8tSNxviQeVRi9a0_M8Xyd8sI6J9vqkonHIDY/s1600/InquisitiveDoe_Denny.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 299px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeEihuEWwL0Z7Y6XwtGOPlWToDb4WMiHDX4YxLTvu_POhZr8dp1l0mSEgUnleNmOHuTbizFKAGgyqk1RX4r0J4WtCYu-POZ3cbWWvkAdw8tSNxviQeVRi9a0_M8Xyd8sI6J9vqkonHIDY/s400/InquisitiveDoe_Denny.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5574151348310485426" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp2cN0zBAPMwiaYNO42EgcfnkR0tTJNSRdVbW3NQfT_Zj5tnMtfz1MfOBJNhrNECU6CvhGhFP6gTttDFU3xrJciRPLWvqEywsgEO6-ImpS6jkOmAZ2ANha0drWQ9a0OYyhO9P9c2dYrok/s1600/24.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 186px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp2cN0zBAPMwiaYNO42EgcfnkR0tTJNSRdVbW3NQfT_Zj5tnMtfz1MfOBJNhrNECU6CvhGhFP6gTttDFU3xrJciRPLWvqEywsgEO6-ImpS6jkOmAZ2ANha0drWQ9a0OYyhO9P9c2dYrok/s400/24.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5574151343567847906" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrGEIOkdzKEw5cGTQT76DFtG0wosrm1uCkN4bH4CBrp2y1cfoWgzOewnRORz82NLmlwl486xk4vVDX2g_0KtkWE0Oerms3T9xCZ3qslXVyFIY_noQvPi8Dx1jGtMQ88JnxwYly9rC9HpE/s1600/16.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 158px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrGEIOkdzKEw5cGTQT76DFtG0wosrm1uCkN4bH4CBrp2y1cfoWgzOewnRORz82NLmlwl486xk4vVDX2g_0KtkWE0Oerms3T9xCZ3qslXVyFIY_noQvPi8Dx1jGtMQ88JnxwYly9rC9HpE/s400/16.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5574151342725909570" /></a><span class="Apple-style-span" style="color: rgb(7, 14, 12); font-family:'Palatino Linotype', 'Book Antiqua3', Palatino, serif;font-size:14px;"><div><span class="Apple-style-span" style="font-family:Georgia, serif;font-size:130%;color:#000000;"><span class="Apple-style-span" style="font-size:16px;"><br /></span></span></div><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size:small;"><a href="http://racheldenny.com/home.html">Rachel Denny</a>'s work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny is attracted by the exuberance of nature in urban and unexpected places. “A deer in an urban backyard, a family of Peregrine falcons at my neighborhood park, a coyote skirting a parking lot,” she says, “These all become a moment of wonder as they shake us out of our daily routines." Denny works in a variety of materials—wood, plaster, resin, wool, found objects—to name a few. She is interested in the potential of her materials and how they can be manipulated in unexpected ways. “I am inspired by the elegant forms found in the natural world and the time honored action of trying to depict these forms in a relevant and interesting way that is an homage to this beauty and wonder." Denny is best known for her “Domestic Trophies” work—deer heads covered in cozy cashmere cable knit woolens and the like. She has shown in galleries nationwide for over 10 years, and her work will be shown at The Ohio Museum of Craft and the Winston-Wachter gallery in Seattle in the coming year..</span></span></span>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-79173008178996616792011-02-15T03:06:00.002+11:002011-02-15T03:09:58.912+11:00Alice Kettle<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5a2pK9D7oc7cbiSqgb25-rxy8J02SQa8sUbcLkeljw3IUiVnyf11-hnpjGnvtMJg7M9btknTUU7cPRlrBuOgnMM7Jf0MrsCR7Mc0wdUv6t55lMy2yk8k_7UA6P2_e6erSeDY2coa55jE/s1600/basket+020.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5a2pK9D7oc7cbiSqgb25-rxy8J02SQa8sUbcLkeljw3IUiVnyf11-hnpjGnvtMJg7M9btknTUU7cPRlrBuOgnMM7Jf0MrsCR7Mc0wdUv6t55lMy2yk8k_7UA6P2_e6erSeDY2coa55jE/s400/basket+020.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5573577802950040658" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQuDmbVgLmV8IJkhBIYJNVvt9r9GAAf2GvKO9DsQqdHyuR08YsSJwsUuRUdcVOx-N3IjiUAGrxA9OONTo1peS6QBIE7e7WevM5HEmkjG13LRPNt7t2su7MwYF4Zg3bSL8Ylsh7nQgjsHQ/s1600/40814-large.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 269px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQuDmbVgLmV8IJkhBIYJNVvt9r9GAAf2GvKO9DsQqdHyuR08YsSJwsUuRUdcVOx-N3IjiUAGrxA9OONTo1peS6QBIE7e7WevM5HEmkjG13LRPNt7t2su7MwYF4Zg3bSL8Ylsh7nQgjsHQ/s400/40814-large.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5573577798638378386" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidNcTCI0rsT4QrOzyxMLn9D8ebSFBX1GhahaG4TXLaHbtpopOqPr83xJcJbTB6BLtmb_HC0AledAUaGesk9degqLplOERmrVwf3IzyFqXfGuVw1tia74288wnfs61Wb2lYhxAxvwJgeOs/s1600/40811-large.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidNcTCI0rsT4QrOzyxMLn9D8ebSFBX1GhahaG4TXLaHbtpopOqPr83xJcJbTB6BLtmb_HC0AledAUaGesk9degqLplOERmrVwf3IzyFqXfGuVw1tia74288wnfs61Wb2lYhxAxvwJgeOs/s400/40811-large.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5573577791358712866" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmLnInejbNty85-0Y1R3q9FgT8wz-R4lTyGHS5rh78EeRTSIRv-czkZvU0F7cJxP1Nk3DJ_l1a1IugvzB47HLjYj1qn2dIDrRuf8keG4ojsYti9LrAzFiMqRYcD6qkJm8Qu4QscGvrP4w/s1600/40809-large.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 194px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmLnInejbNty85-0Y1R3q9FgT8wz-R4lTyGHS5rh78EeRTSIRv-czkZvU0F7cJxP1Nk3DJ_l1a1IugvzB47HLjYj1qn2dIDrRuf8keG4ojsYti9LrAzFiMqRYcD6qkJm8Qu4QscGvrP4w/s400/40809-large.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5573577784689039090" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwpl41SLjw6aLloQlRQm6MvKNsWWTXMtL4wvutwXRKqXThahPZ7qLz3Jre8grb18pauRZFVReSDpXeDig-qupj_IddVF205wC2y2HmfPh1E8v4WZ7tYFodK7jY5Sh9eUsEeMukIX6sMaQ/s1600/40808-large.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 246px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwpl41SLjw6aLloQlRQm6MvKNsWWTXMtL4wvutwXRKqXThahPZ7qLz3Jre8grb18pauRZFVReSDpXeDig-qupj_IddVF205wC2y2HmfPh1E8v4WZ7tYFodK7jY5Sh9eUsEeMukIX6sMaQ/s400/40808-large.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5573577780694124402" /></a><span class="Apple-style-span" style="color: rgb(14, 119, 74); line-height: 15px; font-family: arial, sans-serif; font-size: small; "><a href="http://www.alicekettle.com">www.<b>alicekettle</b>.com</a></span>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-74487135835526193812011-02-12T18:40:00.001+11:002011-02-12T18:42:47.211+11:00Stacey Page<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDX8zHa4YNLl-zDSHCBdwWcRQv4rpLpwnN8hDixEVEz4eeoTs1XWvQBI343vQ-BiGxgso00T5PawZYfe7yMhG2KC_zGEZ2fUTkkn1Un5noHRQWOJOLphAL4-zBEXtskyuftjXtJarLNL0/s1600/Takemewithyou1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 275px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDX8zHa4YNLl-zDSHCBdwWcRQv4rpLpwnN8hDixEVEz4eeoTs1XWvQBI343vQ-BiGxgso00T5PawZYfe7yMhG2KC_zGEZ2fUTkkn1Un5noHRQWOJOLphAL4-zBEXtskyuftjXtJarLNL0/s400/Takemewithyou1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572705075911381794" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXAzUBGEAN_mnZtes2VAD8i4_Jf0uprG12TebOQr2p6XUH7uth1ehtLEVyHNZ8KXis6fClN1xZCYaIEUersupKoYmyKrpPIL5UXmTQVIRcB00DkYiDnSMlkQ80YtuYxlZUxKvWMEeCAj0/s1600/ben.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXAzUBGEAN_mnZtes2VAD8i4_Jf0uprG12TebOQr2p6XUH7uth1ehtLEVyHNZ8KXis6fClN1xZCYaIEUersupKoYmyKrpPIL5UXmTQVIRcB00DkYiDnSMlkQ80YtuYxlZUxKvWMEeCAj0/s400/ben.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572705071001397954" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcY521Q3qT11Gyoc2F1cbAskt30p26eAihPZPlPL0qMvOaL90co1wDSkgSrdEKFBu6mbfJ1JRmU5LzDk_6pTKoYjhRZfAOaus2YW6R9qlebOf9XNb90TxHpoZ56wDRnIhkQpt6R3j4puc/s1600/6a00d834cad15053ef0133f4f5338c970b-800wi.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcY521Q3qT11Gyoc2F1cbAskt30p26eAihPZPlPL0qMvOaL90co1wDSkgSrdEKFBu6mbfJ1JRmU5LzDk_6pTKoYjhRZfAOaus2YW6R9qlebOf9XNb90TxHpoZ56wDRnIhkQpt6R3j4puc/s400/6a00d834cad15053ef0133f4f5338c970b-800wi.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572705070787624146" /></a><a href="http://www.staceypage.com">StaceyPage.com</a>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-63062928631469007112011-02-12T18:37:00.003+11:002011-02-12T18:40:10.598+11:00Tilleke Schwarz<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV02YFxEODFpMh6bM_sKoXvv0mxoedElmAb1-zJ0QC4hbv2UXibLqQUHLO9xAfkF9sVEncsUNXWOiStjpvkA5v2tk5hIPAtB3Yupy_1y1cqFGpaRWuvZKnL2kzBszLMTuHozZK8KjUQK4/s1600/kk.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 294px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV02YFxEODFpMh6bM_sKoXvv0mxoedElmAb1-zJ0QC4hbv2UXibLqQUHLO9xAfkF9sVEncsUNXWOiStjpvkA5v2tk5hIPAtB3Yupy_1y1cqFGpaRWuvZKnL2kzBszLMTuHozZK8KjUQK4/s400/kk.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572704283005673378" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYYjNkp96Xao_oJ-xthc9XP_meWofG-WMoLiNm8fpiE6ZCOvCQ1yjtJqHcx_zdGbuuuLJnng5Se4A4-0AipTyEAw6Q4zVXSwOIvtZE6lVYtp83iHLhfHwISKZEX1Or6jzq2cSfMFmO1kU/s1600/count+your+blessings.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 282px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYYjNkp96Xao_oJ-xthc9XP_meWofG-WMoLiNm8fpiE6ZCOvCQ1yjtJqHcx_zdGbuuuLJnng5Se4A4-0AipTyEAw6Q4zVXSwOIvtZE6lVYtp83iHLhfHwISKZEX1Or6jzq2cSfMFmO1kU/s400/count+your+blessings.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572704281297240194" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmk9n7xj525Y7fKPcVi8jCwtKJ9EfBvdMmQpuNQub_PUKlUGkTwP1pOgnkZTRQJIGhItit4DFBd2aK8dtm_-itrNuaJGDBs8jLDA-LiQmsF1YmuSYD4iApuNuOCiEOdp9WMjWykxMpcH0/s1600/markmaking2000.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 282px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmk9n7xj525Y7fKPcVi8jCwtKJ9EfBvdMmQpuNQub_PUKlUGkTwP1pOgnkZTRQJIGhItit4DFBd2aK8dtm_-itrNuaJGDBs8jLDA-LiQmsF1YmuSYD4iApuNuOCiEOdp9WMjWykxMpcH0/s400/markmaking2000.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572704277975951602" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUATJm3_npEN2TSk0d7ktyZJ5McsShHUrpmIUPIDxEmD1oxDqepHwBA4SiX8KQKZ_R6a3Mcos4zwev44u2oxV5L5-HmTi_JThvAYt1bQW6VuQ7rmXmwb_Qz_G8jD71olBWRxPMqGWw5m4/s1600/intothewoods02.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 282px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUATJm3_npEN2TSk0d7ktyZJ5McsShHUrpmIUPIDxEmD1oxDqepHwBA4SiX8KQKZ_R6a3Mcos4zwev44u2oxV5L5-HmTi_JThvAYt1bQW6VuQ7rmXmwb_Qz_G8jD71olBWRxPMqGWw5m4/s400/intothewoods02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572704271948181442" /></a><p class="style1" style="margin-top:0cm;margin-right:0cm;margin-bottom:8.8pt; margin-left:0cm;line-height:14.05pt"><span style="font-size:12.5pt;font-family: Arial;color:#330033">My work is a mixture of graphic quality, content and fooling around. The humor in my work is typical for my Jewish background: a mixture of a laugh and a tear. Folk art and daily life are great sources for inspiration. I use mixed media with a focus on embroidery on linen and on drawings and paintings.<o:p></o:p></span></p> <p class="style1" style="margin-top:0cm;margin-right:0cm;margin-bottom:8.8pt; margin-left:0cm;line-height:14.05pt"><span style="font-size:12.5pt;font-family: Arial;color:#330033">My work can be understood as a kind of visual poetry. It is a mixture of contemporary influences, graffiti, icons, texts and traditional images from samplers. The embroidery contains narrative elements. Not really complete stories, with a beginning, a storyline, and an end. On the contrary, the narrative structures are used as a form of communication with the viewer.<o:p></o:p></span></p> <p class="MsoNormal" style="line-height:14.05pt"><span class="apple-style-span"><span style="color:black"><o:p> </o:p></span></span></p> <p class="style1" style="margin:0cm;margin-bottom:.0001pt;line-height:14.05pt"><span style="font-size:12.5pt;font-family:Arial;color:#330033">The viewer is invited to decipher connections or to create them. The viewer may assemble the stories and to produce chronological and causal structures. Actually the viewer might step into the role of the "author". It can become a kind of play between the viewer and me. The work also relates</span><span style="color:#330033"><o:p></o:p></span></p> <span style="font-size:12.5pt;font-family:Arial;mso-fareast-font-family:"Times New Roman"; color:#330033;mso-ansi-language:EN-AU;mso-fareast-language:EN-AU;mso-bidi-language: AR-SA">to the history of humanity that is determined through stories.</span><div><span style="font-size:12.5pt;font-family:Arial;mso-fareast-font-family:"Times New Roman"; color:#330033;mso-ansi-language:EN-AU;mso-fareast-language:EN-AU;mso-bidi-language: AR-SA"><br /></span></div><div><span style="font-size:12.5pt;font-family:Arial;mso-fareast-font-family:"Times New Roman"; color:#330033;mso-ansi-language:EN-AU;mso-fareast-language:EN-AU;mso-bidi-language: AR-SA"><a href="TillekeSchwarz.com">TillekeSchwarz.com</a></span></div>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-3261328567684743912011-02-12T18:32:00.002+11:002011-02-12T18:36:40.133+11:00Joetta Maue<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd9HE4oooTrrqU7-6io8gpvxk9piMyn8cqbuJZyRMNb631vfSzFe5RQnR2_FlUmopHwpQH7nZMAk9MHRUMYiBp7v4OYVNOUvhNYSseko0XEXPAfTx6GLr5BIWbrdibGHRlqJFZlq180i8/s1600/happily.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 218px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd9HE4oooTrrqU7-6io8gpvxk9piMyn8cqbuJZyRMNb631vfSzFe5RQnR2_FlUmopHwpQH7nZMAk9MHRUMYiBp7v4OYVNOUvhNYSseko0XEXPAfTx6GLr5BIWbrdibGHRlqJFZlq180i8/s400/happily.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572703190513127970" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqqUiMqnORmETOL9Y9x6buBOo_YNLN57443gvH4PnnslRPyoUbe6wnV1dkfmR2JGZzVCifA0gsZ-gZz_S1_OAEU7s-gC48xZ5kP61DBYFPrhNMUT6i8asz8_R1C4nA-ZjOCc8YwcwsAwU/s1600/sentiments.detail.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqqUiMqnORmETOL9Y9x6buBOo_YNLN57443gvH4PnnslRPyoUbe6wnV1dkfmR2JGZzVCifA0gsZ-gZz_S1_OAEU7s-gC48xZ5kP61DBYFPrhNMUT6i8asz8_R1C4nA-ZjOCc8YwcwsAwU/s400/sentiments.detail.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572703185645143826" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdMsspox_aFCJ04256wlpPZbyDaVnXxW37q8i7arDAQPQsO33PshJJELtp0jKFHhh61jjSDT28cRCuhkUmiyoCnIXeJmz5L-VUFLb55BUTMx0uJdmKaN5BoLT9KjD6eIuAFjFBTnIghoE/s1600/inworkingthought.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 342px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdMsspox_aFCJ04256wlpPZbyDaVnXxW37q8i7arDAQPQsO33PshJJELtp0jKFHhh61jjSDT28cRCuhkUmiyoCnIXeJmz5L-VUFLb55BUTMx0uJdmKaN5BoLT9KjD6eIuAFjFBTnIghoE/s400/inworkingthought.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572703181719829442" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSbRv723Vsy5a305jV8_eadiLCGuA2yo0-8Pk3kSaqmoS_264VaxBaZFJ4zJ9JW1ot3PD-8_tUmT_a-G8IvovnW-Wh4EhIo71IQ2Y4AcRBKmteTmT46_D1rap4ysG6nSuvH7Z06egQtzg/s1600/deepsleep.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 273px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSbRv723Vsy5a305jV8_eadiLCGuA2yo0-8Pk3kSaqmoS_264VaxBaZFJ4zJ9JW1ot3PD-8_tUmT_a-G8IvovnW-Wh4EhIo71IQ2Y4AcRBKmteTmT46_D1rap4ysG6nSuvH7Z06egQtzg/s400/deepsleep.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572703182876232354" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4r9Ub70ozz5uhbhggJTzNyleGKF9o6phMVrjqLjEy3LOejigzHEpAxb03bqkjDL0q03v5jij97khzOEksHP53HiNdyvPhGUhOJhWo7-s_SsjpaE74PjFRK9z-zfjpDiV-U1sUA_17w1I/s1600/breaksmyheart.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 363px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4r9Ub70ozz5uhbhggJTzNyleGKF9o6phMVrjqLjEy3LOejigzHEpAxb03bqkjDL0q03v5jij97khzOEksHP53HiNdyvPhGUhOJhWo7-s_SsjpaE74PjFRK9z-zfjpDiV-U1sUA_17w1I/s400/breaksmyheart.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5572703175945146370" /></a><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><span style="font-size:10.0pt;font-family:Arial"><span style="mso-spacerun:yes"> " </span>I use my daily life as the main subject of my work with the idea of the work being honest, even painfully so, coming from my desire to be true to my emotions, insecurities, strengths, and intelligence without fear of ridicule or censure from a patriarchal society.<span style="mso-spacerun:yes"> </span>By making work that resides within the realm of the everyday, everyday objects, and the female, I am attempting to defy and contest masculine censure.<span style="mso-spacerun:yes"> </span>In effect, I reclaim my femininity: the quality of being feminine, without the fear of losing strength or respect. Though the autobiographical drives the work and is necessary for it to exist, ultimately it is transcended, enabling the viewers to have their own independent relationship to the work."<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><span style="font-size:10.0pt;font-family:Arial"><span class="Apple-style-span" style="color: rgb(14, 119, 74); line-height: 15px; font-family: arial, sans-serif; font-size: small; ">www.<b>joettamaue</b>.com</span></span></p>Abigaylehttp://www.blogger.com/profile/07237227533752435950noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-46136084743335037502011-01-03T20:35:00.000+11:002011-01-03T20:35:25.795+11:00Rachel B. Hayes<img alt="http://fibercopia.files.wordpress.com/2009/01/rachelbhayes_posted012909.jpg?w=400&h=266" src="http://fibercopia.files.wordpress.com/2009/01/rachelbhayes_posted012909.jpg?w=400&h=266" /> <br />
<a href="http://www.rachelbhayes.com/Rachel%20Hayes.html">http://www.rachelbhayes.com/Rachel%20Hayes.html</a>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-60865738015432074112011-01-03T20:32:00.000+11:002011-01-03T20:32:52.028+11:00Amy Boone McCreesh<img alt="http://bakerartistawards.org/users/15463/conesdetail2_thumb.jpg" src="http://bakerartistawards.org/users/15463/conesdetail2_thumb.jpg" /><br />
<a href="http://amyboonemccreesh.com/">http://amyboonemccreesh.com/</a><br />
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Amy Boone-McCreesh currently lives and works in Baltimore, MD<br />
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Taking inspiration from celebratory and funerary displays in various cultures, Amy aims to explore decoration and human relationships.maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-2583620563598639952011-01-03T20:26:00.000+11:002011-01-03T20:26:51.221+11:00Amanda Browder<div class="paragraph_style" style="font-family: "Trebuchet MS",sans-serif;"><img alt="http://pitchdesignunion.com/wp-content/uploads/2009/03/01rapunzel-515x685.jpg" height="631" src="http://pitchdesignunion.com/wp-content/uploads/2009/03/01rapunzel-515x685.jpg" style="cursor: -moz-zoom-in;" width="474" /><span class="style_1" style="line-height: 11px;"> </span></div><div class="paragraph_style" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="paragraph_style" style="font-family: "Trebuchet MS",sans-serif;"><span class="style_1" style="line-height: 11px;"><a href="http://www.amandabrowder.com/amandabrowder/amandabrowder.com/Home/Home.html">http://www.amandabrowder.com/amandabrowder/amandabrowder.com/Home/Home.html</a> </span></div><div class="paragraph_style" style="font-family: "Trebuchet MS",sans-serif;"><br />
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</div><div class="paragraph_style" style="font-family: "Trebuchet MS",sans-serif;"><span class="style_1" style="line-height: 11px;">Brooklyn, New York, USA</span></div><div class="paragraph_style" style="font-family: "Trebuchet MS",sans-serif;"><span class="style_1" style="line-height: 11px;"><br />
</span></div><span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;"> </span><br />
<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">Artist Statement </span><br />
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<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">I describe my work as "a state of betweenness - 'twixt soft sculpture /'tween orchestrated </span><br />
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<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">public object installation with a studio affinity for abstraction and minimalism". I am in love </span><br />
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<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">with the transformative nature of materials, and how the combination of the familiar creates </span><br />
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<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">abstract relationships about place. This relational objectivity generates an open-ended </span><br />
<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;"> </span><br />
<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">narrative, ambiguous situations defined by the choice of materials and work ethic. Central to </span><br />
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<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">the psychedelic experience, I am drawn to reinventing Pop-Art colors by exploring shifts in </span><br />
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<span class="style_1" style="font-family: "Trebuchet MS",sans-serif; line-height: 11px;">scale and sculptural perceptions.</span>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-51130802934466816982011-01-03T20:14:00.000+11:002011-01-03T20:14:36.704+11:00Poly Verity<img alt="http://www.runningwithheels.com/wp-content/uploads/2010/11/POLLY-verity.jpg" src="http://www.runningwithheels.com/wp-content/uploads/2010/11/POLLY-verity.jpg" /><br />
<img alt="http://www.celesteprize.com/indi/_pics/4/4/foto_45705_6449355870.jpg" src="http://www.celesteprize.com/indi/_pics/4/4/foto_45705_6449355870.jpg" /> <br />
<a href="http://www.polyscene.com/">http://www.polyscene.com/</a>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-29336642749084813912011-01-03T20:09:00.001+11:002011-01-03T20:09:48.810+11:00Joana Vasconcelos<img alt="http://www.notempire.com/images/uploads/Untitled-3-64.jpg" src="http://www.notempire.com/images/uploads/Untitled-3-64.jpg" /><span style="font-family: "Trebuchet MS",sans-serif;"> </span><br />
<img alt="http://blueart.no.sapo.pt/dizpara/torre_de_belem_por_joana_vasconcelos.jpg" src="http://blueart.no.sapo.pt/dizpara/torre_de_belem_por_joana_vasconcelos.jpg" /><span style="font-family: "Trebuchet MS",sans-serif;"> </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.joanavasconcelos.com/">http://www.joanavasconcelos.com/</a> </span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Born in Paris in 1971. Lives and works in Lisbon. </span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Artist Statement</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"> </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">The site-specific interventions in the public art domain assume special relevance in the artist's work. Some of Joana Vasconcelos' most important public art interventions are: <i>La Theiere,</i> Le Royal Monceau, Paris (2010); <i>Sr.Vinho, </i>Mercado Municipal de Torres Vedras, Torres Vedras (2010); <i>Jardim Bordallo Pinheiro, </i>Jadim do Museu da Cidade, Lisbon (2008); <i>Vitrine,</i> Rua do Alecrim, no. 12, Lisbon (2008);<i> Varina, </i>Ponte D. Luis I, Porto (2008); <i>The Jewel of the Tagus,</i> Tower of Belem, Lisbon (2008); <i>Donzela,</i> Castelo de Santa Maria da Feira, Santa Maria da Feira (2007); <i>Cactus,</i> Forum Almada, Almada (2002).</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">The nature of Joana Vasconcelos' creative process is based on the appropriation, decontectualisation and subversion of pre-existent objects and everyday realities. Sculptures and installations, which are revealing of an acute sense of scale and mastery of colour, as well as the recourse to performances and video or photographic records, all combine in the materialization of concepts which challenge the pre-arranged routines of the quotidian. Starting out from ingenious operations of displacement, a reminiscence of the Ready-Made and the grammars of Nouveau Realisme and Pop, the artist offers us a complicit vision, but one which is at the same time critical of contemporary society and several features which serve the enunciations of collective identity, especially those that concern the status of women, class distinction or national identity. From this process there derives a speech which is attentive to comtemporary idiosyncrasies, where the usual dichotomies of hand-crafted/industrial, private/public, tradition/modernity and popular culture/erudite culture are imbued with affinities that are apt to renovate the usual fluxes of signification which are characteristics of contemporaneity. </span>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-19098703804188612412011-01-03T19:04:00.000+11:002011-01-03T19:04:50.544+11:00Marcie Miller Gross<div style="font-family: "Trebuchet MS",sans-serif;"> <span class="style3"><img src="http://www.marciemillergross.com/navigation/551.jpg" /><br />
<span class="style5"></span></span><img alt="http://www.marciemillergross.com/work/06/UseReUse_Detail.jpg" src="http://www.marciemillergross.com/work/06/UseReUse_Detail.jpg" /><span class="style3"><span class="style5"> </span></span></div><div style="font-family: "Trebuchet MS",sans-serif;"><span class="style3"><span class="style5"><a href="http://www.marciemillergross.com/index.html">http://www.marciemillergross.com/index.html</a> </span></span></div><div style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div style="font-family: "Trebuchet MS",sans-serif;"><span class="style3"><span class="style5">Artist Statement</span></span></div><div style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div style="font-family: "Trebuchet MS",sans-serif;"><span class="style3"><span class="style5">Within my site responsive drawings, installations and objects, I am fascinated with the interplay between the spatial, conceptual, and architectonic conditions of a place. Through an incremental means of building with utilitarian materials, industrial felt, paper towels, clothing, new and used hospital and bath towels, I make structures that address mass and void, line, weight, density, compression and expansion. Within these qualities, I find parallels in the physical and psychological states of the body, and the human condition. These pliable materials have an intense relationship to the body, and the capacity to carry traces, memory and a potent history of former use. My interest in mundane physical actions of folding, cutting, separating, stacking finds its focus in organization and reduction. The directness of a simple activity of the hand, in addition to issues in the industry of labor and serial repetition, make reference to artistic precedent such as mono-ha and minimalism.<br />
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The integration of form, structure and materiality with an architectonic response to space, is critical to this work. Analyzing the experiential and psychological aspects of space has led me to explore drawing methods of articulating form through lines of axis, spatial movement, and in the Japanese concept of ma, a combined sense of place and time. Through examining plan, elevation and section of a space, I blur boundaries of wall, plane and object within the geometry of their architectural context.</span></span></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-39621446872474815312011-01-03T18:59:00.001+11:002011-01-03T19:06:36.440+11:00Guerra de la Paz<img alt="http://www.booooooom.com/wp-content/uploads/2010/07/guerradelapaz_01.jpg" src="http://www.booooooom.com/wp-content/uploads/2010/07/guerradelapaz_01.jpg" /><br />
<a href="http://www.guerradelapaz.com/">http://www.guerradelapaz.com/</a><br />
<br />
<div style="font-family: "Trebuchet MS",sans-serif;">Guerra de la Paz is the composite name that represents the creative team efforts of Cuban born artists, Alain Guerra and Neraldo de la Paz- who live and work in Miami, Florida - and have been consistantly producing collaboratively since 1996. </div><div style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div style="font-family: "Trebuchet MS",sans-serif;">Artist Statement</div><div style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div style="font-family: "Trebuchet MS",sans-serif;">Our work is based on a combination of traditional disciplines and experimentation with dimension and the use of unconventional materials. It is inspired by an essential familiarity with the ready made and the archeological qualities that found objects possess. Encapsulating an energy that reveals underlying meanings and depicts the significance of mass produced refuse on our society.</div><div style="font-family: "Trebuchet MS",sans-serif;"></div><div style="font-family: "Trebuchet MS",sans-serif;">Through a common aesthetic, we create work with a universal message. Using recycled objects as our medium and the guidance of the unrelenting amounts of information that fuels todays mass consciousness and it's subversive parallels. Allowing us ways to reinvent historic themes and classic icons while still commenting on contemporary culture.</div><div style="font-family: "Trebuchet MS",sans-serif;"></div><span style="font-family: "Trebuchet MS",sans-serif;">Our close proximity to the Pepe businesses that once thrived in Little Haiti has been a major source of inspiration. Gaining access to an overubundance of discarded clothing - relics that once helped define an individual's personality and communally speak of environmental issues, mass consumption and disposability - opened the doors for us to working with garments as a material. We often see ourselves as vehicles guided by their essence and silent histories.</span>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-33444326332419274422011-01-03T18:27:00.001+11:002011-01-03T19:07:43.806+11:00Elisabeth Higgins O'Connor<img alt="http://www.elisabethhigginsoconnor.com/images/3-Object/8.jpg" src="http://www.elisabethhigginsoconnor.com/images/3-Object/8.jpg" /><br />
<img alt="http://24.media.tumblr.com/tumblr_lde82aLGIG1qbkblwo1_500.jpg" height="631" src="http://24.media.tumblr.com/tumblr_lde82aLGIG1qbkblwo1_500.jpg" style="cursor: -moz-zoom-in;" width="420" /> <br />
<a href="http://www.elisabethhigginsoconnor.com/index.html">http://www.elisabethhigginsoconnor.com/index.html</a>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-57359969524665077232011-01-03T18:17:00.002+11:002011-01-03T19:08:18.522+11:00Sandra Norrbin<img alt="http://www.lkv.no/img/sandra-norbin-a1.jpg" src="http://www.lkv.no/img/sandra-norbin-a1.jpg" /> <br />
<a href="http://artnews.org/sandranorrbin/?s=2">http://artnews.org/sandranorrbin/?s=2</a><br />
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Artist statement<br />
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I work with sculptural installation that emerges in relation to the architecture of a place. I want to challenge physical space. The way that material and surroundings meet is important. It’s about a dynamic collaboration between the room, the material and myself.<br />
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A material’s physical expression and its history are the starting point for the installations. I often use industrial materials that have an inherent capacity that we usually are oblivious to. In a warehouse for construction materials we see only a product’s function. I want to see the materials from another point of view—in this way we can see that the materials have their own expression. <br />
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In the materials’ own history there manifests the fact that everything is part of an enormous cycle. Nothing disappears, it just takes a different form: the isolation mats, for example, in the installation "Triumph and Disaster" that consist of used clothes and textile industry surplus. Clothes have followed people’s lives literally very closely—with all that this implies. All of history adds further layers to the work, allows it to be seen in a continuing context.<br />
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I do not tie myself to a fixed plan—place and material guide me. That is why the process is clearly visible in the finished piece. I want to achieve an immediate and vital expression. The work can appear to be a moment frozen in time in a process that may at any instant continue. <br />
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I work with contrasts: the open-and-closed, building-up-and-knocking-down, place-no-place. The installations are a kind of landscape filled with elements that seek coherence. <br />
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Most often a catastrophe is not final but rather a definitive turning point. The place where one falls becomes fertile ground, upon which one can build something new and by which one can go forward. The balance between the destructive and the constructive is just as important in my working process as in life as a whole.maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-11821268880510445252011-01-03T18:02:00.000+11:002011-01-03T18:02:20.594+11:00Ulla De Larios<div class="content"> <img border="0" height="415" src="http://www.ulladelarios.com/transparency/index.jpg" width="500" /> </div> <a href="http://www.ulladelarios.com/">http://www.ulladelarios.com/</a>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-77489090778634346112011-01-02T22:13:00.000+11:002011-01-02T22:13:06.835+11:00Jared Steffensen<div class="copy"><img alt="http://badatsports.com/blog/wp-content/uploads/2010/09/bypc01-600x400.jpg" src="http://badatsports.com/blog/wp-content/uploads/2010/09/bypc01-600x400.jpg" /><br />
<a href="http://www.jaredsteffensen.com/work.html">http://www.jaredsteffensen.com/work.html</a></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-75459792956726550492011-01-02T22:11:00.000+11:002011-01-02T22:11:31.679+11:00Fernando Brizio<div class="copy"><img alt="http://www.paulomendes.org/imagens/upload/IMG_5800_FERNANDO_BRIZIO_site.jpg" src="http://www.paulomendes.org/imagens/upload/IMG_5800_FERNANDO_BRIZIO_site.jpg" /><br />
<a href="http://fernandobrizio.com/">http://fernandobrizio.com/</a></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-85752578897802076532011-01-02T22:09:00.000+11:002011-01-02T22:09:33.857+11:00Viktor and Rolf<div class="copy"><img alt="http://www.style.com/slideshows/fashionshows/F2008RTW/VIKROLF/DETAILS/00280m.jpg" src="http://www.style.com/slideshows/fashionshows/F2008RTW/VIKROLF/DETAILS/00280m.jpg" /><br />
<a href="http://www.loreal.com/maint-viktorandrolf.html">http://www.loreal.com/maint-viktorandrolf.html</a></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-74387682848015443012011-01-02T22:08:00.000+11:002011-01-02T22:08:18.323+11:00Regine Rack<div class="copy"><img alt="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzvWA68lOLaYDdpBqi2f6BX5KiSm2TNO11U_ruHeqvrpZYLYGyF8wKeRu6KbneusLjPQOE1mILiKMmqDGRxTsCXCyyGWVxapQodhEWVlWy9qaWFha3_0pXmO-92sUWNFrJka6SHcRlWdeu/s800/regine-rack.jpg" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzvWA68lOLaYDdpBqi2f6BX5KiSm2TNO11U_ruHeqvrpZYLYGyF8wKeRu6KbneusLjPQOE1mILiKMmqDGRxTsCXCyyGWVxapQodhEWVlWy9qaWFha3_0pXmO-92sUWNFrJka6SHcRlWdeu/s800/regine-rack.jpg" /><br />
<img alt="http://www.reginerack.com/files/gimgs/7_feglovebag04.jpg" src="http://www.reginerack.com/files/gimgs/7_feglovebag04.jpg" /><br />
<a href="http://www.reginerack.com/about-this-site/">http://www.reginerack.com/about-this-site/</a></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-30523147207643738322011-01-02T22:05:00.001+11:002011-01-05T08:30:28.703+11:00Annie Collinge<div class="copy"><img alt="http://static.guim.co.uk/sys-images/Guardian/Pix/commercial/2009/9/23/1253704416418/Woman-with-ribbons-tied-a-001.jpg" src="http://static.guim.co.uk/sys-images/Guardian/Pix/commercial/2009/9/23/1253704416418/Woman-with-ribbons-tied-a-001.jpg" /><br />
<a href="http://www.collinge.com/">http://www.collinge.com/</a><br />
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</style> <![endif]--><span style="font-family: "Century Gothic","sans-serif"; font-size: 12pt; line-height: 115%;">Born 1980 in London, England and based in Brooklyn, New York.</span> </m:defjc></m:rmargin></m:lmargin></m:dispdef></m:smallfrac></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0tag:blogger.com,1999:blog-7113400469291861440.post-18154669626549458922011-01-02T22:03:00.002+11:002011-01-05T08:44:50.150+11:00Jo Deeley<div class="copy"><img alt="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC-xFMXApoFtDRBND2hhcYhF8_JLtGFTVq8KPtZ9vg7_DadgY9uWQ84UXVSKrVg535mqb4s70P_mVxo4siUssdxeiYugLfUyr7Aip1KiGmvPvVtjkvyy-cE9BgAd_g5wFYIvM9TJsVaDDR/s320/ssem2s058.jpg" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC-xFMXApoFtDRBND2hhcYhF8_JLtGFTVq8KPtZ9vg7_DadgY9uWQ84UXVSKrVg535mqb4s70P_mVxo4siUssdxeiYugLfUyr7Aip1KiGmvPvVtjkvyy-cE9BgAd_g5wFYIvM9TJsVaDDR/s320/ssem2s058.jpg" /><br />
<a href="http://www.jodeeley.com/">http://www.jodeeley.com/</a><br />
<br />
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<div class="MsoNormal" style="font-family: "Trebuchet MS",sans-serif; line-height: normal;"><span style="font-size: 12pt;">UK based textile artist who studied Multi-Media Textile Design.</span></div><br />
<div style="font-family: "Trebuchet MS",sans-serif;">Artist Statement</div><br />
<div style="font-family: "Trebuchet MS",sans-serif;"><span class="style8">I work with different textures and methods to create sculptural shapes and designs. I am particularly interested in making three dimensional fabrics using traditional methods, weaving, knitting, plaiting and knotting as well as more untraditional methods by folding and pressing fabric.</span> </div><div class="style11" style="font-family: "Trebuchet MS",sans-serif;"><span class="style8">My ideas develop and change over different projects and are reactions to images seen and research built up in my sketchbooks. Pieces are often driven by the process or technique I am using, but I am also inspired by patterns and structures in nature as well as man-made buildings and constructions. I also use museums as a great source of information and learning which informs my work.</span></div></div>maehttp://www.blogger.com/profile/17813782587284179608noreply@blogger.com0